Conclusion & Links |
|||
Although Vorticism was a short-lived movement, the importance of its ideologies is growing in an increasingly technological world. In the information age, the environment in contrast to the chaotic and vicious one that threatened autonomy in Enemy of the Stars, is soothing and passive. How seductive the world of the Internet is, as it offers to remove the difficulty and self-consciousness of individuality through the means of chat-room names and faceless anonymity. The individual at the terminal may feel somewhat secure and in control through the use of the mouse, but what of the addict in cyberspace who develops web-pages in a creative effort to affirm self while constantly being assuaged into the gentle passivity of the entertaining graphics and sound-bytes that inhabit the internet. When the mouse becomes obsolete and is replaced by hardware that can link directly to thoughts, the concerns of the Vorticist should be the concerns of all. | |||
|
|||
Ezra Pound .Poetry and "Vortex" Ford Maddox Hueffer . "The Saddest Story" Rebecca West . "Indissoluble Matrimony" Gaudier Brzeska . "Vortex" Edward Wadsworth . Illustrations "Newcastle-on-Tyne" and others Frederick Etchells . Illustrations "Head", "Patchoplois", and "Dieppe" W. Roberts . Illustrations "Dancers" and "religion" Jacob Epstein . Illustrations "Drawing" Gaudier Brezeska . Illustrations "Stags" Cuthbert Hamilton . Illustrations "Group" Spencer Gore . Illustrations "Brighton Pier" and "Richmond Houses"
|
Conclusion & Links |